Thursday, 1 January 2026

Hunky Punks

Hunky punks are grotesque carvings found on the outside walls of buildings, usually churches.  They differ from gargoyles because they are purely decorative: gargoyles drain water off roofs through their mouths.  The purpose of hunky punks seems to have been to break up long straight sections of stone walls and to ornament corners.

Hunky punks are particularly numerous in Somerset.  The term hunky punk is thought to have originated from the words hunkers and punchy.  Hunkers means "squatting on haunches" and punchy means having "short legs and a thick set body". 

Most hunky punks were carved between 1450 and 1550, during the second half of the Perpendicular period.  Parapets, pinnacles and window tracery were also often carved decoratively at this time.  The church towers built in Somerset in this period were mainly funded by wealth generated by the wool trade.  The carving of hunky punks would have taken place on the ground (probably in the carvers' workshops) and not in situ.  They were carved using a chisel and mallet.

The subjects carved were often mythological creatures (e.g. dragons and griffins), sometimes heraldic animals (e.g. antelopes, boars and stags), occasionally humans, but rarely of a religious nature.  Dragons, goats, dogs and griffins are the most common subjects.

My thanks to Nigel Stone for allowing me to use some of his photographs.

Dragon, Church of St Peter & St Paul, Kilmersdon

All Saints' Church, Langport

Church of St Peter & St Paul, Kilmersdon

Holy Trinity Church, Chantry
This church was built 1844-1846, so the hunky punks on it are not medieval.

Holy Trinity Church, Chantry

Toothache, All Saints Church, Monksilver

Cat, Kingston St Mary

Griffin/dragon, Norton-sub-Hamdon

Devil, North Curry

Dog, All Saints Church, Curry Mallet

Goat, All Saints Church, Curry Mallet

Bagpipe player, Isle Abbotts

Further reading: 
Hunky Punks: A Study in Somerset Stone Carving by Peter Poyntz-Wright, first published 1982, revised edition 2004, Heart of Albion Press

No comments:

Post a Comment